|
Works for Large Ensemble
|
| Title |
Year |
Instrumentation |
| Museum of Nottingham Life |
2022-23 |
for chorus & orchestra, commissioned by Streetwise Opera & BBC Concert Orchestra as part of Re:sound with support from Arts Council England |
| Losing Her Voice |
2019 |
chamber opera about Geraldine Farrar's transition from opera stage to silent film for 2 sopranos, tenor, baritone & chamber ensemble, development & premiere supported by Opera America, British Academy, Leverhulme Trust & UKRI |
| On Edge |
2017 |
for Icebreaker Ensemble (UK) currently featured on 'System Restart' tour |
| Broken Machine |
2013 |
for the Curious Chamber Players & mechanical organ for premiere at the Gaudeamus Festival |
| Slide |
2013 |
for Alarm Will Sound |
| Addicted to Wah |
2012 |
for flute, clarinet, bassoon, trumpet, trombone, piano, violin, cello and bass (Premiered by Ensemble 10/10 at the Huddersfield Festival, UK - Recording available for download.) |
| Signal |
2012 |
for soprano, mezzo soprano, and chamber orchestra (commissioned by the Albany Symphony's Dogs of Desire Ensemble) |
| On the Hunt |
2011 |
for horn quartet and orchestra (commissioned by the New York Youth Symphony) |
| Blue Stew |
2010 |
electric guitar, saxophone, drums and chamber orchestra (commissioned by the Netherlands Youth Orchestra NJO) |
| ISO Amor |
2010 |
2 sopranos, tenor, chamber orchestra on texts drawn from internet culture |
| Ice |
2008 |
electric guitar and wind ensemble (commissioned by the Robert Boehmler Foundation) |
| Stop, Drop and Listen |
2008 |
actor, orchestra and audience (commissioned by the Ann Arbor Symphony) |
| Bellshift |
2008 |
antiphonal brass ensemble |
| Pluck |
2007 |
electric guitar, harpsichord and sinfonietta |
| Blue Maze |
2007 |
orchestra |
| Jolt! |
2006 |
concert band |
| Yes.. |
2004 |
electric guitar and orchestra |
| Songs to Joannes |
2003 |
choir, guitar, piano, percussion and tape |
|
Chamber, Solo and Electronic Works
|
| Title |
Year |
Instrumentation |
| To the Moon: Twinkle, Twinkle Little Stars Variation |
2021 |
for violin & tuba, commissioned by Coastal Symphony of Georgia to support 'Reaching for the Stars' online music composition programme during pandemic |
| Into the Depths |
2018 |
for contrabass clarinet & piano, commissioned by Sarah Watts with support from PRSF 'Women Make Music' award - available on CD |
| 'Nuclear Shadow' |
2016 |
commissioned by 'Memorious' Journal on award-winning poetry by Trenton Pollard, for soprano and piano |
| 'We Were the People Who Moved' |
2016 |
a setting of a poem by David Ebenbach for SSAATTBB choir, premiered by the New York Virtuoso Singers conducted by Harold Rosenbaum |
| Hard Knocks |
2016 |
for bass and electronics for premiere at the Interactions Festival in Bangor, Wales |
| Dancing on the Edge |
2015-16 |
for solo piano |
| Wild Winds |
2015 |
for clarinet quartet for premiere by the Miami Clarinet Quartet at NACWPI 2015 |
| A New Illusion |
2014 |
for mezzo-soprano & piano for premiere at Tanglewood Music Festival. This recording features Loralee Songer and ChoEun Lee. |
| Animal, Vegetable, Mineral Suite |
2014 |
for three duos for premiere at Tanglewood Festival of Contemporary Music |
| Tremor |
2012 |
for the Asko Schoenberg Ensemble (oboe, clarinet, bassoon, horn, single strings) |
| SOS |
2011/12 |
for two percussionists playing large metal sheet and wooden board |
| Entangled & Entwined |
2011 |
for string quartet (published by Donemus) |
| First Bite |
2011 |
for Ensemble Klang (two saxophones, trombone, piano, percussion, electric bass) |
| Fracas |
2008 |
for saxophone, electric guitar, piano, drums |
| Taut |
2007 |
violin and koto (released on Centaur Records by vio-LINK-oto) |
| Fractured |
2007 |
electric guitar and ambisonic sound processing |
| Intervals |
2007 |
carillon |
| Blue Maze (chamber) |
2006 |
flute, clarinet, violin, cello, piano |
| Dead Line Dance |
2005 |
string quartet |
| Babel |
2005 |
soprano and piano |
| Yes...(solo) |
2005 |
electric guitar |
| Echotic |
2003 |
clarinet/bass clarinet, string quintet, piano, percussion |
| elizabeth.a.kelly@yale.edu |
2002 |
8-channel playback |
| Sparse Rime |
2002 |
solo clarinet |
| Vertigo |
2002 |
clarinet and bassoon |
| The Chimney Sweeper |
2001 |
soprano, E-flat clarinet, cello |
